The winners of the 14th Architizer A+A wards are live! Discover a worldwide associate of architects forming the future of design, and subscribe to our Awards Newsletter for future program updates. The winners of the 14th Architizer A+A wards have actually been announced. If this year’s projects inform us anything, it’s that the industry is moving in a motivating direction. Across continents and typologies, much of the strongest entries place simply as much focus on how they’re made as on how they look. Instead of counting on spectacle alone, they’re grounded in well-resolved concepts, thoughtful product choices and details that feel purposeful.
That made this year’s focus on craft feel particularly prompt. More importantly, it used a chance to recognize the practices that have long dealt with materiality and making as main to their work, which is precisely why the inaugural Best in Craft Firm category was introduced. The award commemorates architecture and interior decoration firms whose jobs demonstrate an extraordinary command of craft, not as a separated feature, but as something that shapes the architecture from the beginning.
So, without further ado, satisfy the Jury Winner, Popular Choice Winner and Special Reference recipients of the 14th Yearly A+A wards Best in Craft Firm category.
Jury Winner, Best in Craft Company, 14th Annual A+A wards
hooba design group’s portfolio on Architizer Hitra Workplace & Commercial Building by hooba design group, Tehran, Iran Just by opening HOOBA Style’s Architizer page, you get a sense of how the practice thinks. Rather than presenting each task with a picture, the studio presents its overcome a series of striking black-and-white illustrations, each lowering a finished building to its necessary geometry. It’s a subtle option, however one that exposes a great deal about the company’s style viewpoint.
Founded by Hooman Balazadeh in Tehran in 2007, HOOBA Style approaches every commission as a chance for research study, drawing motivation from the cultural and geographical attributes of each website. Whether checking out light, materiality or the relationship between architecture and the city, the practice is assisted by a basic idea: every part of a building need to enhance the entire. That philosophy naturally extends to craftsmanship. Rather than treating details as decorative flourishes, HOOBA establishes them as an extension of the job’s central principle, making sure that the way a building is made is inseparable from the idea that shaped it.
Popular Option Winner, Best in Craft Company, 14th A+A wards
One Vanderbilt by KPF (Kohn Pedersen Fox), New York City City, New York
TCC DAKA Renewable Resource Recycling Center by KPF (Kohn Pedersen Fox), Xiulin Area, Hualien County, Taiwan
Few architecture firms have shaped contemporary horizons rather like KPF. From the skyrocketing Shanghai World Financial Center to The Pinnacle and Hudson Yards, the firm’s work covers more than four years and over 40 countries, leaving its mark on cities around the globe. Yet regardless of the scale of its portfolio, KPF has withstood ending up being associated with a single architectural language. Each task reacts to its own physical, social and environmental context, resulting in structures that feel distinctly rooted in location instead of in the signature of their designer.
That viewpoint helps describe why KPF was called the Popular Choice Winner in the inaugural Best in Craft Firm category. Throughout projects of greatly various scales and programs, the company’s attention to craft is expressed less through accessory than through precision. Products are chosen with function, details strengthen the bigger architectural idea, and construction becomes an important part of the design procedure instead of just its execution. It’s an approach that has actually permitted KPF to build a few of the world’s most recognizable structures without depending on an identifiable design.
Spice & Barley Riverside Bangkok by Get In Projects Asia, Bangkok, Thailand. Photo by William Barrington-Binns.
T2 Kempegowda International Airport Rattan Retail Pods by Enter Projects Asia, Bengaluru, India
Based in Bangkok, Get In Projects Asia was established as what the practice refers to as “a mild disobedience” versus the loss of detail in modern construction. Rather than accepting standardized products and approaches as the inescapable future of architecture, the studio has actually developed its work around artisanal workmanship, sustainable materials and initial design at a commercial scale.
That ambition is reflected in every stage of the style process. Drawing motivation from natural geometries and biophilic style concepts, the practice develops fluid, sculptural areas that respond to their environments rather than conforming to the constraints of mass-produced construction. Every job begins with a mindful study of its site, from the motion of natural light to the way individuals populate and browse a space, enabling each style to develop its own distinct character.
Whether designing for hospitality, retail or property clients, Enter Projects Asia works carefully with craftsmens to translate these concepts into architecture that feels both modern and deeply rooted in the craft of making.
I-CONIC by Brenac & Gonzalez & Associés, Lyon, France
La Grande Motte by Brenac & Gonzalez & Associés, La Grande-Motte, France Established in Paris in 1981, Brenac & Gonzalez & Associés has spent more than four years designing real estate, cultural buildings and public architecture, developing a portfolio that shows both an impressive variety and a deep understanding of context. Oddly, all that experience hasn’t led the practice toward an identifiable signature design. Looking throughout its work, what stands out rather is a determination to let each task become its own thing.
The firm explains its evolution as a progressive liberation from architectural dogma, replacing fixed positions with a more practical way of working. Instead of beginning with a preconceived architectural language, each task grows out of its own scenarios and progresses through the design procedure. That openness has enabled the practice to remain extremely varied throughout the years, while never forgeting the care and precision that specify its work.
House on Droop Harbor by 1100 Designer
, Droop Harbor, New York Böllenfalltor Sports Hall by 1100 Designer
, Darmstadt, Germany Founded in New York in 1983, 1100 Architect has actually constructed an international portfolio spanning cultural institutions, academic structures, offices and property projects, with studios in both New york city and Frankfurt. Throughout that breadth of work, the practice puts as much value on the process of building as it does on the procedure of design. Staying carefully included from idea through construction, the group sees the successful awareness of a job as an essential part of its work rather than a separate stage handed over as soon as the illustrations are complete.
That viewpoint performs to the studio’s attention to materiality and detail. Products are chosen for the qualities they bring to a space, while careful detailing ensures those qualities are totally recognized when built, permitting the completed architecture to remain real to the original design intent.
Rental property del Mar F11 by Acebal Canney Arquitectos & Asociados, Punta Cana, Dominican Republic.
Photo by Fabiana Ocando. Based in the Dominican Republic, Acebal Canney Arquitectos & Asociados has developed its reputation creating residences, hospitality tasks and commercial areas that are deeply linked to their environments. Instead of treating architecture and landscape as different disciplines, the practice brings the 2 together, utilizing natural light, thoroughly framed views and expressive architectural forms to shape the experience of each project.
That very same attention encompasses the finer details. Every staircase, roofline and product choice contributes to a bigger architectural story, leading to buildings that feel carefully composed without ever ending up being overworked. Supported by sophisticated style technologies and a collaborative style process, the studio continues to show that, apart from accuracy, workmanship is about developing spaces people remember long after they’ve left them.
Prime Seafood Palace by Omar Gandhi Architects, Toronto
, Canada East River Residence by Omar Gandhi Architects, East River, Canada
Working from Canada’s Atlantic coast has actually inevitably formed Omar Gandhi Architects’ approach to design. Regional materials, rugged landscapes and a strong sense of place run through the firm’s work, creating structures that feel as though they have actually grown out of their surroundings instead of been placed upon them.
Founded in Halifax, the acclaimed practice has actually because expanded to Toronto and, more recently, Berlin, taking its definitely regional approach to tasks across North America, the Caribbean and Europe. Whether designing a personal residence, a civic landmark or a landscape intervention, the work is joined by the very same mindful attention to craft and context, showing that architecture can be deeply rooted in place while resonating far beyond it.
The winners of the 14th Architizer A+A wards are live! Discover a worldwide friend of designers shaping the future of style, and subscribe to our Awards Newsletter for future program updates.