
sanctuary of dreams, a cinematic monolith to creativity Rooted in a merging of routine, technology, and speculative storytelling, The Sanctuary of Dreams by Pierre-Christophe Gam is a multi-sensory, participatory setup rooted in African viewpoints of cyclical time and ancestral memory. It operates as a collective structure for thinking of futures and is established within the wider universe of Toguna World to reactivate dreaming as a shared cultural practice rather than a private act.Conceived as a hybrid’digital temple, ‘the taking a trip work merges virtual reality, film, music, and spatial style into a participatory environment where visitors are welcomed to envision alternative realities directed by their own desires.
Inside a heavenly inflatable structure inspired by nomadic desert tents, visitors remove their shoes and enter a contemplative area. Here, a 44-minute art movie unfolds across 3 screens, blending experimental animation, soundscapes, collage, and archival textures. The environment is meditative and sacred, transcending linear time and inviting participants to assess how we may eat, play, hope, dream, and love in a future reimagined through cumulative dreaming.

sanctuary of dreams as seen in athens in 2025|all images thanks to Toguna World Toguna World houses cumulative dreaming in a heavenly temple Following the screening, a guided reflection and storytelling circle allow participants to voice their visions for the future. These responses are archived as part of The Worldwide Mapping of Dreams, a continent-wide research study initiative covering Africa and the diaspora. Established by artist Pierre-Christophe Gam’s Toguna World throughout a fellowship at the MIT Open Documentary Lab and the European Digital offer, previously in residency at Onassis Stegi, in Athens, and initially provided at Ars Electronica, The Sanctuary of Dreams transforms artistic experience into a civic routine for reclaiming the future. The pavilion features a metal frame (6m x 6m x 4m), dimmable ambient lighting and scent diffusion system, flooring seating on modular cushions, a big screen with spatial audio, and voice-guided participation via the artist’s avatar.


children gather inside the dream temple, watching and engaging with visions of envisioned African futures a hypnotic film unfolds, mixing collage, sound, and importance into a cinematic routine of reflection and insight the structure includes five dream pillars, each representing a basic human style