Childlike experimentation is tough to come by as an adult. A muscle we need to work out, instinct is frequently at odds with the apparently unending circulation of contemporary life. Unfussy, organic, and quietly delightful, Emma In Paraty for Treivas Team taps into that world of awe, exploring the nature of embroidery that creator Olga Treivas remembers from her childhood. Constructed from jatobá wood– also called Brazilian cherry– the cabinet is ended up to a shiny radiance, with bright red yarn adding welcome contrast, allowing the grain to shine.
Crafted in São Paulo, each piece is among a kind. Expertly well balanced yet perfectly imperfect, Emma in Paraty hearkens to classic speaker cabinets,
with screens enabling noise to get away in certain sections. Here, that scale is exploded in a satisfying method, the weave playing a large role in the organic nature of the handwork. The embroidery points are rendered individually, guaranteeing no 2 pieces are alike. The joy depends on the exploratory nature of the positioning– a natural, deliciously decorative expression of boundary and topic. Stitches are missed, holes not precisely lined up, and it reminds us of our mankind– not only do we begin at the very same place, but we end in the exact same location, too. Naturally humane and artistically complex, the tactile interaction between borders and wood in time will be a joy to witness. This piece checks out details from the designer’s youth remembering yarn tangled among building and construction pieces in a cupboard drawer.
She shares, “We have actually jokingly called these objects ‘sol na peneira.’ The name is a redefinition of a Brazilian saying, ‘tapar o sol com a peneira,’ or ‘to cover the sun with a sieve.’ It is used when a person makes a not successful attempt to conceal something they did incorrect. Accepting the irregularity of handcrafted embroidery is a way to admit one’s mistakes and make flaw the strongest function. This approach is honest, ignorant, and profoundly feminine– just like the pieces, attractive in their genuineness.”
< img src ="https://design-milk.com/images/2026/04/Emma-In-Paraty-Treivas-Team-2-810x1214.jpg"alt= "A wooden cabinet with decorative red mesh panels stands on a wheeled platform in a workshop with tools and wood slabs in the background."width ="810"height="1214"/ >< img src="https://design-milk.com/images/2026/04/Emma-In-Paraty-Treivas-Team-1-810x648.jpg"alt= "A wood cabinet with red accents and geometric cutouts bases on a metal workbench in a commercial workshop."width ="810"height= "648"/ > A rack nestled in the bottom echoes the saucy style of the cabinet body, extending the embroidery downwards. A perfect location to show pottery or store items for later on, the intense red yarn creates a warm area to rest objects, a physical hem of space.
To get more information about Emma in Paraty by Olga Treivas, see treivas.team.
Photography by Ruy Teixeira.
Maturing in New York City has actually offered Aria a distinct point of view into art + style, constantly pursuing new tasks to get immersed in. A passionate baker, crocheter, and pasta maker, handwork and individual touch is main to what she enjoys about the built environment. Outside of the city, she enjoys hiking, cycling, and learning about area.