]]]] >]] > Earth|Tree by Kengo Kuma/KKAA at Copenhagen Contemporary. Image © Dinesen Share Facebook Twitter Mail Pinterest Whatsapp Or https://www.archdaily.com/1040347/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary!.?.!Japanese architect Kengo Kuma and his studio Kengo Kuma & Associates (KKAA) have actually unveiled Earth|Tree, a site-specific installation at Copenhagen Contemporary, developed in partnership with Danish wood producer Dinesen. Opened on March 28, 2026, as part of the institution’s CCreate programme, the job occupies a previous commercial hall, introducing a spatial intervention defined by timber, brick, and light. Led by partner Yuki Ikeguchi, with employee Asger T. Taarnberg, Nicolas Guichard, and Yasemin Shiner, the setup marks KKAA’s very first exhibit in Scandinavia and situates the studio’s material-oriented practice within an exhibition format.
+ 13 Earth|Tree by Kengo Kuma/KKAA at Copenhagen Contemporary. Image © Dinesen At the center of the installation, a suspended structure composed of handmade Douglas fir components specifies the spatial experience. The wood system filters natural light through its permeable assembly, producing shifting environments throughout the day. This result recommendations the Japanese idea of komorebi, describing sunlight as it travels through tree canopies and produces patterns of light and shadow. The structure embodies Kuma’s ongoing exploration of architecture as a permeable and responsive system, where materiality and light are dealt with as main design drivers rather than secondary elements.< img alt=" Kengo Kuma & Associates Present Site-Specific Setup"Earth|Tree"at Copenhagen Contemporary -Image 2 of 18 "height="427"src=" https://images.adsttc.com/media/images/69cf/8999/ae7d/2901/8861/6912/medium_jpg/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary_10.jpg?1775208957 "width="640"/ > Earth|Tree by Kengo Kuma/KKAA at Copenhagen Contemporary. Image © Dinesen The task brings together contributions from several Danish makers, consisting of wood from Dinesen, bricks by Petersen Tegl, and lighting by Anker & Co. Instead of functioning as discrete elements, these materials are put together to establish a consistent spatial language. The mix of wood, brick, and artificial light presents a calibrated contrast in between surface, structure, and lighting, while also referencing shared issues in Japanese and Nordic building and construction customs. Associated Post Zaha Hadid’s Tradition and Büro Ole Scheeren’s Róng Museum: This Week’s Review
The setup also incorporates a social dimension through its production procedure. The wooden elements were established in collaboration with the Troldkær School, including trainees with special requirements in the fabrication of the components. This initiative aligns with the job’s broader emphasis on accountable material use and understanding sharing, reflecting both KKAA’s and Dinesen’s approach to sustainable practices. Making use of thoroughly sourced lumber and strategies for material efficiency even more highlights the job’s concentrate on durability and the complete usage of resources.
Earth|Tree by Kengo Kuma/KKAA at Copenhagen Contemporary. Image © Dinesen Through Earth|Tree, Kengo Kuma continues his long-standing investigation into the relationship in between architecture and nature, here translated into an exhibition context. The installation highlights the temporal qualities of area, where shifting light conditions continuously transform the spatial atmosphere. Grounded by the earthy tones of Petersen Tegl’s brick surface areas and articulated by overhead wood structures, the task forms a layered structure that can be read as an exploration of environment instead of a repaired architectural object.
In related developments, La Biennale di Venezia has actually unveiled the renovated Central Structure at the Giardini, following a comprehensive intervention completed in March 2026; the upgraded building will host In Minor Keys, curated by Koyo Kouoh, for Biennale Arte 2026, marking its very first usage. In São Paulo, Eduardo Longo’s Casa Bola has opened to the general public for the first time as part of the ABERTO5 exhibit, on view until May 31, 2026, while Art Paris 2026 will return to the Grand Palais from April 9-12, inhabiting the recently restored 77,000-square-meter landmark remodelled under the instructions of Chatillon Architectes.